SUTCo's adaptation places the play's events after the COVID-19 pandemic. Coinciding with far greater attention being paid to mental health (specifically depression and anxiety) in society. Without making huge alterations to Prebble's book, this is woven into the play seamlessly. It's a rewarding choice. Merit must be given to the directing team, Emilia Lodge (director) and Amaara Qureshi (assistant director), for providing the play with a paramount contemporary setting. 

The play begins with some skilful projection (crafted by Mason Lugh) documenting the Pandemic and establishing the context of the trial which the audience spectates. While on the topic of spectating, I want to talk about some creative choices made by the direction team. The audience is engaged not only to watch the play but to participate in observing the trial. It's made overtly clear when the house lights are turned on as Dr Toby delivers a witty monologue on his past. Furthemore, the idea is reflected in the staging. Throughout most of the play, Connie and Tristan remain onstage, boxed onto a stage block. Their presence invites the audience to observe them as if we are monitoring them in the trial. It's another very sharp directing choice that pays off. The majority of the staging remains fairly simple, sometimes static. Albeit, more often than not this plays into the actor's hands, allowing their performances to shine in the moment.

Full Review - SUPAS